Tag: 1995

Ricky Martin "María" on 13thStreetPromotions.com #PuertoRico #USA #PopMusic #LatinMusic #Music #13thStreetPromotions #RickyMartin #Maria #1995 #LatinPop #KCPorter #TomVickers #SteveBerkowitz #PabloFlores #HispanicHeritageMonth #Caribbean #LatinCaribbean

OLDIES SUNDAY: @Ricky_Martin – María (1995)

Posted on by swadedavillain

It’s that time of year again, it’s “Hispanic Heritage Month” on “Oldies Sunday“! Hispanic Americans continue to make significant contributions to entertainment, sports, and pop culture, and we have highlighted a number of them. Today’s selection comes from Puerto Rico via Ricky Martin’s “María“.

Produced by KC Porter, Tom Vickers, and Steve Berkowitz and released through Columbia/Sony Music Mexico in 1995, Ricky Martin had his eyes set on a lovely, but dangerous Woman named, “María”. Inspired by the sounds of Mariachi from Mexico and how proud the people are of their heritage, Martin created a Spanish Language song that incorporated Flamenco, Dance, and Salsa, paying homage to the Latin sounds that were prevalent in Puerto Rico. The original version of “María” had a slower tempo, and was met with resistance from his label to release it. It soon became a public release after much back and forth, and was included on his 3rd studio album, “A Medio Vivir“.

“María” enjoyed great reception, becoming Ricky Martin’s breakout International single, but things took a turn for something epic when Puerto Rican DJ Pablo Flores remixed the song. Increasing the tempo and adding extra production, the “Spanglish Remix” of “María” took the world by storm, became a Samba megahit, and helped to launch the advent of Latin and Dance music crossovers. The original and remixed version enjoyed top placements on charts globally, but the remix went on to set a record for becoming the biggest Latin hit as it went on to sell over 5 Million records, and secured spots in the greatest Latin music releases of all time lists.

Since the release of “María”, Ricky Martin went on to become a Latin Music phenomenon, producing multiple hits, and becoming an Icon in the 90s and 2000s. He was a former member of the Puerto Rican Boy Band Menudo, but his solo career fared much better, as he became the face of the “Latin Pop explosion” in the 1990s, and one of the best-selling Artists of all time. He also ventured into acting with stints in TV shows and Broadway plays, but is still very active in music. “María” continues to secure its place in Pop Culture. Wepa!

Thank You Ricky Martin For This Classic!

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Terror Fabulous "Miss Mattie Son" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #MissMattieSon #MissMattieBwoy #TerrorFabulous #DonovanGermain #1995 #PenthouseRecords #Oldies #OldiesSunday #OldSchool #Caribbean #SwingEasyRiddim

OLDIES SUNDAY: Terror Fabulous – Miss Mattie Son (1995)

Posted on by swadedavillain

A lot has happened these past few days, and there’s a saying that prevalent in these times that says, “You live by the sword, you die by the sword“. Replace “sword“, and you’ll get the idea. Today on “Oldies Sunday“, we look at a situation that fits the phrase. We go back in time to check out Terror Fabulous and his track, “Miss Mattie Son“.

Produced by Donovan Germain on the “Swing Easy Riddim” and released through Penthouse Records in 1995, Terror Fabulous shares a cautionary tale in, “Miss Mattie Son” (o/c “Mattie Son”, “Matty Son”, and “Miss Mattie Bwoy”). Terror speaks about a Man, Miss Mattie’s son, who terrorized his community, wielding his tools to cause despair. Despite his family urging him to turn his life around, the Man believes that his reign of terror was necessary. As the other saying goes, “You reap what you sow“, and so Miss Mattie’s son would eventually meet his end. “Miss Mattie Son” was a song that emerged during a time when party songs were the rage, but it still penetrated the scene, and got some attention. Fabulous was enjoying quite the attention during that time, and his track was well-received by many.

Since the release of “Miss Mattie Son”, Terror Fabulous continued to maintain a music career that gained International attention. Sadly, it would later be put on hold due to him battling Mental Health issues over the years. Attempted comebacks in the 2000s, and in recent time thanks to Social Media, and has performed some of his early tunes. “Miss Mattie Son”, as well as his other songs, still get played to this day.

Thank You Terror Fabulous For This Tune!

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Fabby Dolly "Peanut Punch" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #FabiDolly #FabbyDolly #PeanutPunch #1995 #Oldies #OldiesSunday #OldSchool #Caribbean

OLDIES SUNDAY: Fabby Dolly – Peanut Punch (1995)

Posted on by swadedavillain

Happy Oldies Sunday! We hope you had a great week, today is the day to kickback, and relax with your favourite drink. Speaking of drink, today’s selection is dedicated to a specific drink that was recommended if you wanted to have certain advantages in life. The Artist who made the song goes by the name of Fabby Dolly, and the track is called, “Peanut Punch“.

Produced by Anthony “Red Rose” Cameron and Anthony Malvo on the “Quarter To Twelve Riddim” and released through the How Yu Fi Seh Dat? Label in 1995, it was all about the “Peanut Punch”. Fabby Dolly shared that he had a way with the ladies, and his drink of choice aided him in becoming a hit among them. For those who needed the extra stamina when it comes to handling business, a bag juice just won’t cut it. Blend up some Peanuts along with some key ingredients, and you will have all the power. “Peanut Punch” was a popular single for Fabby Dolly, and it helped to increase the reach of the “Quarter To Twelve Riddim”.

Since the release of “Peanut Punch”, not much was heard from Fabby Dolly. He recorded more singles, but none connected like his hit. He made appearances on various pieces of content on Youtube and Social Media over the years, and some revealed that had fallen on hard times, and was experiencing Mental Health issues. He is on the road to recovery, and we wish him the best. “Peanut Punch” is still recognized today, and still gets played.

Thank You Fabby Dolly For This Classic!

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Merciless "Mavis" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #Merciless #Mavis #BigYardProduction #BoombasticRiddim #1995 #Caribbean #LeonardBartley

OLDIES SUNDAY: Merciless – Mavis (1995)

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On July 19, Dancehall lost a lyrical legend who went by the name, “Merciless“. Born Leonard Bartley, Merciless was known to take over the scene with a barrage a lyrics that will thrill the listener, and let other Artists know that he’s ready for anything. Nicknamed “Warhead” and calls himself the “Warring don from Clarendon“, Merciless had a few hits over the years in addition to his wins as a lyrical contender. For today’s Oldies Sunday selection, we highlight one his hits, “Mavis“.

Produced by Robert Livingston and Shaun ‘Sting International’ Pizzonia, “Mavis” was released through Big Yard Production in 1995. On the track, Merciless is all about the ladies here as he shares that he has what it takes to make them come back for more. He spoke about the various ladies who come his way, and warns that if the Man cannot fulfill a Woman’s request of satisfaction, she will go elsewhere. “Mavis” was featured on the “Boombastic Riddim“, and Merciless name dropped Sylvester Stallone, Wesley Snipes, and Chuck Norris, sharing that the ladies don’t need the “tough guy“, but rather a Man who can “Wuk har good“.

“Mavis” became a hit for Merciless, and opened the door for a career that found him scoring a few more, and providing him a lane that made him a formidable opponent in Dancehall clashes. The one night Dancehall event Sting would find Merciless in attendance yearly to add notches to his belt. His most famous Sting was in 2000 when he went up against Bounty Killa, Beenie Man, and Ninja Man, becoming the victor in the end. Merciless solidified his space in Dancehall, and he will be missed by fans, family, and members of the music fraternity.

Thank You Merciless For This Classic! Walk Good.

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Everton Blender - Family Man for 13thStreetPromotions.com

OLDIES SUNDAY: Everton Blender – Family Man (1995)

Posted on by swadedavillain

It’s a great Sunday, and a Oldies Sunday! It’s also the day we celebrate one of Jamaica’s greatest Reggae Artists, Everton Blender on his 67th Birthday. Today we honour him on Oldies Sunday with one of his classic tracks, “Family Man“.

Produced by Richard “Bello” Bell on the “Tempo Riddim” and released on the Star Trail label in 1995, Everton Blender’s “Family Man” was a song that was made for the working men who had to do what was necessary to take care of their families. No matter what was going on, Everton had to stay strong in his faith, and overcome the daily challenges to make it good things happen. “Family Man” was one of Blender’s popular singles, and still remains one of his more recognizable tracks. Possessing strong lyrics, Everton Blender’s mission was to make good music with positive messages that would connect with many around the world. Since the release of “Family Man”, Everton Blender went on to release more singles and albums, and is still active today. Put “Family Man” in your classic songs rotation today.

Thank You Everton Blender!

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Jamaica Jessie Ripoll Children's Choir Let's Join Hands Across Jamaica For Righteousness Caribbean Music Singer Blog 13thStreetPromo 13thStreetPromotions 1995 Child's Month Children Jessie Ripoll Primary School

OLDIES SUNDAY: Jessie Ripoll Children’s Choir – Hands Across Jamaica (1995)

Posted on by swadedavillain

Happy Sunday, and it’s a new month! May is recognized as Child’s Month, and on Oldies Sunday we celebrate the youth. For today’s selection, we go back a couple decades for a song that has touched many, and was presented by the youth. Today we look back at the Jessie Ripoll Children’s Choir’s “Let’s Join Hands Across Jamaica For Righteousness“.

Released in 1995 as through the “Hands Across Jamaica For Righteousness” Organization which was founded by Motivational Speaker, Yvonne Coke, “Hands Across Jamaica” was the theme song for the Organization which sought to achieve “Motto, Anthem and Pledge (MAP) until every Jamaican is made fully conscious of the potential of their godly inheritance of beauty, fellowship and prosperity, and move to fulfill Jamaica’s mandate to advance the welfare of the whole human race.” The song was performed by members of the Jessie Ripoll School’s Children’s Choir, and was a staple in the media for years. The song was also given a music video treatment which was produced by the Creative Production & Training Centre (CPTC). This selection may bring back a lot of memories for some, including former members of the Children’s Choir. Let the kids inspire you to do some good today.

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