Lorna Bennett "Dancing To My Own Heartbeat" on 13thStreetPromotions.com #Jamaica #Disco #Music #13thStreetPromotions #LornaBennett #DancingToMyOwnHeartbeat #PlutoShervington #1976 #OldiesSunday #Oldies #OldSchool #WildFlower #TonyScott #Protoje #WomensHistoryMonth #WomensMonth

OLDIES SUNDAY: Lorna Bennett – Dancing To My Own Heartbeat (1976)


Today we close off “Women’s History Month“ for 2025 with an Oldies Sunday selection. We give thanks for the many great Women who have made significant contributions to Music, and we look forward to more of them creating History as time goes by. Today’s selection on comes from Lorna Bennett with the track, “Dancing To My Own Heartbeat“.

Produced by Tony Scott and Pluto Shervington who also wrote it, and released through the Wild Flower label in 1976, Lorna Bennett was in a disco mood on “Dancing To My Own Heartbeat”. She speaks about the vibe when music is played, and how people react it, but she pays special attention to one Man who she admires. She watches how his body moves to the rhythm that she produces, and it does something amazing to her. “Dancing To My Own Heartbeat” quickly gained attention in Jamaica, and became a hit for the younger crowd. The single was Lorna’s first after taking a break from music to pursue her Law studies in Barbados. Lorna’s version of the track wouldn’t be the only recording that was released, but it still gained popularity for quite some time. Lorna Bennett was already a hitmaker as she became the first Jamaican Woman to top the Island’s singles charts for five years.

After the release of “Dancing To My Own Heartbeat”, Lorna Bennett decided to quit music to open her Law practice in St. Elizabeth. She returned to music briefly in the 2000s, then quit again to manage the career of her son, Recording Artist Protoje, who has made an indelible mark in Jamaican music. “Dancing To My Own Heartbeat” is played and loved by many to this day.

Thank You Lorna Bennett For This Hit!

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Tami Chynn "Hyperventilating" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #TamiChynn #TamiChynnMitchell #Hyperventilating #2004 #DJDelano #StepzRiddim #RenaissanceProductions #OldiesSunday #OldSchool #Oldies #Caribbean

OLDIES SUNDAY: Tami Chynn – Hyperventilating (2004)


The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Tami Chynn (Now Tami Chin-Mitchell) with the track, “Hyperventilating“.

Produced by DJ Delano, Michael Jarrett, and Andre Saunders for Renaissance Production, and released on the “Stepz Riddim” in 2004, Tami Chynn stepped out blazing on “Hyperventilating”. The track finds her admiring someone who she could see something special happen with, and she makes her approach to him, sharing how them getting together would make her feel throughout the track. The high energy production matches with Tami’s Pop vibe and lyrics, and quickly put her in the spotlight. The “Stepz Riddim” gained popularity when it was released, and “Hyperventilating” was one of the top tracks in the compilation. It was also featured on her 2006 debut album, “Out Of Many…One“. The song was accompanied by a music video directed by Tim Naylor, and was released in 3 versions; the original edit, an edited version specifically made for the US market (BET, MTV, etc.), and a Director’s cut that too spicy for some TV networks. The single gained popularity for Chynn in Jamaica and the rest of the Caribbean, but gained moderate success when it crossed over to the International market, despite being re-released in 2006 through Universal Motown Records. Chynn’s contributions to Jamaican music however, inspired more local acts to take a more Pop-styled approach to their music.

Since the release of “Hyperventilating”, Tami Chynn would score a record deal with Akon’s Konvict Musik, and release more music over the years. She paused her career to focus on family, and her marriage to Dancehall Artist Wayne Marshall, whom she has been married to since 2009. She has also made numerous appearances in the Media over the years, and has ventured into the world of Vlogging through “Meet The Mitchells” brand on Youtube and Social Media, where her family has gained a huge following. She has hinted at times that she would return to music, but even if she doesn’t, many still remember her previous releases, including “Hyperventilating”.

Thank You Tami Chynn For This Classic!

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Adina Edwards "Don't Forget To Remember" on 13thStreetPromotions.com #Jamaica #GospelMusic #Music #13thStreetPromotions #AdinaEdwards #DontForgetToRemember #BeeGees #1972 #OldiesSunday #Oldies #OldSchool #WomensHistoryMonth #WomensMonth #Caribbean #TommyCowan

OLDIES SUNDAY: Adina Edwards – Don’t Forget To Remember (1972)


The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Adina Edwards with the track, “Don’t Forget To Remember“.

Produced by Tommy Cowan and released through Dynamic Sounds in 1972, “Don’t Forget To Remember” was Adina Edwards’ cover of British-Australian group The Bee Gees’ 1969 single. The song speaks about someone who is dealing with a breakup, and shares with their former lover that they still love them, and they should keep them and their memories close, and never forget them. The original was delivered in a Country Music style, but when Edwards took the reins, she delivered with in a soulful way that made even Church folks sing praises. The song would later be featured on her 1973 album of the same name, and become a very popular selection in Jamaica, making Edwards a household name. She made history as being the third Woman in Jamaican music to make it to the top 10 charts in 1972, a feat that took some time to happen as the music scene was Male-dominated, coming in at number 8. Adina Edwards was a blind Singer who was known to frequent parts of Kingston in the 1960s where she sang and played musical Instruments (namely the Accordion and Piano) in the streets for donations. She was first known for her performance during her time at the Salvation Army Institute For The Blind in 1939, and would enter a number of talent shows over the years, winning over the crowd. A chance meeting with Tommy Cowan would change her life for the better, and he would produce a number of her singles, ranging from R&B, Soul, Calypso, and Gospel, but would lean more to Gospel music in later years. She also collaborated with Byron Lee (who signed her to his label), Joe Gibbs, and “Sir Coxsone” Dodd, and released three albums. She also released music through a label called “Help The Blind“, we believe it was owned by her. She was a true believer of not letting her disability hinder her greatness.

Since the release of “Don’t Forget To Remember”, Adina Edwards would release more music, but would soon become well known for her Gospel releases, making some consider her a “Queen of Jamaican Gospel Music“, inspiring many Gospel Artists. She would continue to perform at various events over the years, racking up praises from those who experienced her music. She is mentioned in the book, “Songbirds: Pioneering Women in Jamaican Music“, and her famous Accordion was donated to The Jamaican Music Museum. Outside of music, she was a loving Mother who adopted a number of children, and also ran a Nursery in Kingston during the 1970s where she took care of 48 children. Edwards passed away in 2008, but her legacy lives on.

THANK YOU Adina Edwards FOR THIS HIT!

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Foxy Brown "Sorry" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #FoxyBrown #Sorry #TracyChapman #BabyCanIHoldYou #CoverSong #OldiesSunday #Oldies #OldSchool #1988 #Foxy #Caribbean

OLDIES SUNDAY: Foxy Brown – Sorry (1988)


The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Foxy Brown (not the Rapper from Brooklyn) with the track, “Sorry“.

Produced and released by Harold “Papa Biggs” Mclarty on the “Taxi Riddim“, and released in 1988, Foxy Brown delivers a Jamaican cover of US Recording Artist Tracy Chapman’s single “Baby Can I Hold You“, but renamed “Sorry” for Foxy. The song speaks about a time when couples fall out and arguments happen, but when it comes to apologizing and making things right, it’s not always easy to do. Sometimes the right and important words just need to be said. Foxy sings throughout this, with her own melodies but borrowing the cadence from the original, over original Jamaican production. “Sorry” became a hit for Foxy Brown, but got even bigger when it was re-released in 1989 featuring production by Steely & Clevie. The new version also entered Billboard’s Black Singles chart. The song was also featured on her debut album, “Foxy“, which was released the same year. “Sorry” also allowed Foxy opportunities to voice Dubplates for years to come, and perform at various events.

Since the release of “Sorry”, Foxy released a few more singles in the early 1990s, and while some were hits, they didn’t match the level of “Sorry”, and her career stalled in that decade. Hard times fell on her along with a decline in her Mental Health, and she has been seen in various parts in Kingston over the years. She recently got some help from fellow Dancehall Artist Mr. Vegas, but we hope her living conditions improve as she still struggles with her Mental Health. “Sorry” remains her biggest hit.

Thank You Foxy Brown For This Hit!

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Queen Paula "Me A The Teacher" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #QueenPaula #MeATheTeacher #1988 #WomensHistoryMonth #MichaelHarrison #SteveKnight #Throwback #OldiesSunday #Oldies #OldSchool #WomensMonth #Caribbean

OLDIES SUNDAY: Queen Paula – Me A The Teacher (1988)


The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Queen Paula with the track, “Me A The Teacher“.

Produced by Michael Harrison and Steve Knight and released through Ridim Force in 1988, Queen Paula leaves the Musical Teachers’ College to own the scene with a catchy flow and attention-grabbing lyrics in “Me A The Teacher”. The early years of Dancehall saw the rise of Female Deejays, and Queen Paula was a part of the flock that took over the scene, and showed the Men that the Women can run things as well. The track made the statement that Paula is a top tier Artist, and it’s not going to be a small feat if you wish to challenge her. “Me A The Teacher” was well-received by the listeners, and was added to the list of tunes that showcased Paula’s skillset.

Since the release of “Me A The Teacher”, Queen Paula continued to record and release music in the 90s, and parts of the 2000s and 2010s, and even made appearances at events and sessions in recent years. She engaged in a couple lyrical confrontations with fellow Female Deejays, but she has earned her place as one of the foundation Deejays, and inspired a number of Female Artists over the years. This Teacher runs things.

Thank You Queen Paula For This Track!

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Tanzie & M3chi "Got You" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #Tanzie #TanzieMuziq #M3chi #M3chiOfficial #GotYou #WordsOfAffirmation #Caribbean

Tanzie & @M3chiOfficial Share Words Of Affirmation In “Got You”


The month of March is recognized as “Women’s History Month“, and we highlight the Women who have contributed to the advancement of Caribbean music, and the Women who are in the now who will make in their own marks. One of them is Singer on the rise, Tanzie. You may know her as the daughter of Tony Rebel and Queen Ifrica, and she has been on the scene for quite some time, ready to make an impact like her parents. Recently, she shared her new single, “Got You“.

Produced by AYODAZE and featuring Recording Artist M3chi, “Got You” is Tanzie’s new single that is all about sharing words of affirmation. Love languages are important to many couples, and the song presents a number ways how couples reassure their love for each other, having each other’s backs through anything, and maintaining that love. Tanzie and M3chi join melodies along with their words for a song that will have many securing on their favourite playlists. If you aren’t familiar with these Artists, make that change today.

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