Tag: King Jammy’s

Nahki - Original Ninja on 13thStreetPromotions.com #Jamaica #Japan #Dancehall #JapaneseDancehall #Music #13thStreetPromotions #Nahki #OriginalNinja #BaddestJapanese #1989 #KingJammys #Oldies #OldiesSunday #OldSchool #Caribbean #Asia

OLDIES SUNDAY: Nahki – Original Ninja (1989)

Posted on by swadedavillain

Happy Oldies Sunday! In our last post, we highlighted Artists who were influenced by Caribbean music, and today is no different. The country that our next Artist originates from has a longstanding music history with Jamaica, and the relationship is still strong today. For today’s selection, we head over to Japan to check out Nahki’s “Original Ninja“.

Produced by King Jammys and released through Jammy’s Records in 1989, Nahki stepped out with a single that helped to introduce the world to Japanese Dancehall. Heavily influenced by Jamaica, Nahki adopted Patois, and delivered with a melody and stance like he was one of the top Dancehall acts in those times. A lover of Reggae music since the 70s, it was a chance meeting with Reggae/Dancehall Icon Sugar Minott that gave him a chance to hone his skills, and make solid bonds with fellow Artists and Producers in Japan, and Jamaica. “Original Ninja” was a hit for Nahki, and the track was featured on his debut album, “Baddest Japanese” that was released in 1990.

Since the release of “Original Ninja”, Nahki went on to release a few more albums, scored more hits, maintained “Reggae Japansplash” which he helped to start in 1985, and etched his place in the history books. He is widely regarded as a pioneer in Japanese Dancehall, an Ambassador for Dancehall & Reggae, and he helped to influence generations of talent from Japan. “Original Ninja” is still recognized today along with many of Nahki’s releases.

Thank You Nahki For This Classic!

Nahki、この古典的な作品をありがとう!

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Super Black "Deh Wid You" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #SuperBlack #DehWidYou #1986 #KingJammys #Caribbean

OLDIES SUNDAY: Super Black – Deh Wid You (1986)

Posted on by swadedavillain

It’s another Oldies Sunday! Today, we’re turning up the vibe with a classic. Today’s selection comes from Super Black with the single, “Deh Wid You“.

Produced by King Jammys on the “Heavenless Riddim” and released through the Jammys label in 1986, Super Black steps to a young lady who entered his life “like she big and she broad“. Super Black takes on a melodic delivery on “Deh Wid You” as he shares to the lady that she would’ve been the right Woman for him to love and lavish with gifts had his experience with her was a favourable one, and she had certain qualities about her. “Deh Wid You” was an instant hit for Super Black, as it gained popularity locally and internationally in the dance, and in the mainstream. “Deh Wid You” was featured on the compilation project, “Double Twin Spin Vol. 1” in 1986/87, and became Super Black’s most successful single. A music video directed by famed Director Llewellyn O’Reggio was made in support of the track, and was a hit as well on local Television. “Deh Wid You” was sampled by Junior Cat for his track, “Woulda Let You Go“.

Since the release of “Deh Wid You”, Super Black went on to release more music. He scored a few more hits along the way, but found it difficult to top the success of “Deh Wid You”. “Deh Wid You” is still celebrated along with some of his other hits, and Super Black is recognized as one of the voices who ruled in the early years of Dancehall.

Thank You Super Black For This Classic!

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Pinchers "Bandelero" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #Pinchers #Bandelero #13thStreetPromotions #Caribbean #1991

OLDIES SUNDAY: Pinchers – Bandelero (1991)

Posted on by swadedavillain

Happy Easter! While everyone’s out and about, we’re gonna make it real with today’s Oldies Sunday selection. For today’s post, we highlight a classic from one of Dancehall’s most unique voices. His name is Pinchers, and we feature his single, “Bandelero“.

Produced by King Jammys and released through Jammys Records in 1991, Pinchers stepped right out of a Western movie with this one. Calling himself a “Bandolero” (Spanish for Bandit), we get a track that makes reference to “Gringos“, Pinchers claiming that his lyrics are as sharp as the blade that Zorro owns, and being recognized as a champion. His flow was unique at the time paired with a bit of singing, and they helped to make “Bandelero” a hit. “Bandelero” went on to become one of Pinchers’ most memorable tracks, and is still enjoyed today. Pinchers is still active, and he takes his music from Kingston, Jamaica, to El Paso, Texas, to various parts of the world. A happy belated Birthday to Pinchers as well (April 12).

thank you pinchers for this classic!

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The Tiger & The Buffalo Meta Commercial for 13thStreetPromotions.com #Meta

“Under Mi Sleng Teng” Sampled “Way In My Brain” Featured In New @Meta Commercial!

Posted on by swadedavillain

Recently, the company behind Social Media platform Facebook changed its name to Meta as a way to promote better online experiences, and change the way you see Social Media. While the platform has been a part of numerous controversies, only time will tell how things will turn out. As a part of Meta’s rollout, a series of promotional spots have been launched. For one of their latest Commercials, a sound from the home of Dancehall and Reggae has been easily identified.

In Meta’s latest Commercial called “The Tiger & The Buffalo“, the 1991 Electronic/Dance/Rave track “Way In My Brain” by Breakbeat Hardcore group SL2 was used for the soundtrack. Produced by Slipmatt & Lime and released through XL Recordings, the UK single sampled the Jamaican classic, “Under Mi Sleng Teng“. “Under Mi Sleng Teng” was done by Wayne Smith in 1984 (released in 1985), and produced by King Jammys on the “Sleng Teng Riddim“, which was considered one of the fully computerized Riddims. The “Sleng Teng Riddim” is also one of the most influential Riddims, giving birth to many versions, and producing many great Artists in the process.

Check out the Commercial below, and share with a friend. Show us some love/follow us on Twitter and Instagram at @13thStreetPromo.

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JAmaica, Music, Reggae, Singer, Frankie Paul, Sara, Sarah, Blog, 13thStreetPromo, 13thStreetPromotions, Jamaican Stevie Wonder, Oldies Sunday, Old School, 1987, 80s, Dancehall,

OLDIES SUNDAY: Frankie Paul – Sara (1987) (R.I.P. Jamaican Stevie Wonder)

Posted on by swadedavillain

Today’s Oldies Sunday pays respect to one of Jamaica’s greatest Vocalists, the one they called the “Jamaican Stevie Wonder“, the late Frankie “Dancehall” Paul. The Singer recently passed away after battling a long ailment, and the news sent shock waves all over the world. Having been born blind, Frankie showed many that you can still be great no matter your circumstance. Possessing a love for singing, he impressed Recording Artist Stevie Wonder during a visit to his school in Jamaica, and was inspired to pursue a Music career. Releasing multiple singles and Albums over the years, Frankie went on to be an influence for many of the Dancehall/Reggae Vocalists that followed. Having worked with almost every Producer and Record Label in Jamaica, Frankie Paul was a household name and ultimately a Legend.

As a part of keeping his spirit alive, we present to you “Sara”, his 1987 hit which was a cover of US Rock Band Starship’s single. The track was produced by King Jammy for his Jammys Label and was a part of Paul’s 1987 “Live And Love” Album.

Walk Good, Frankie Paul!

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OLDIES SUNDAY: @KingStitchie – Great Ambition (1987)

Posted on by swadedavillain

Today we’re taking you back to the year 1987 with Recording Artist Lt. Stitchie! Here we feature his track “Great Ambition” which was produced by Jammy’s Records (King Jammy’s) on the “Kuff Riddim“. In the song, Stitchie speaks on being an ambitious young man while encouraging listeners to be ambitious, listing the goals he’d like to achieve including owning a home, and working to make all this possible. A key part of the single is his Dancehall remix of the 1956 American single, “Que Sera Sera” which was performed by Singer/Actress Doris Day.

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