Prince Far I "Jamaican Heroes" on 13thStreetPromotions.com #Jamaica #Reggae #Music #13thStreetPromotions #PrinceFarI #JamaicanHeroes #NationalHeroes #Oldies #OldiesSunday #Throwback #Caribbean

OLDIES SUNDAY: Prince Far I – Jamaican Heroes (1980)


Tomorrow (October 21) will be celebrated as “National Heroes Day” in Jamaica. The yearly event recognizes the works of those who fought for our freedom, and highlights the everyday hero who has made sacrifices over the years, and those who have contributed to our progress as a nation. Jamaican music has boasted its share of heroes who have helped to advance the culture, and we recognize one of them on “Oldies Sunday“. His name is Prince Far I, and we feature his track, “Jamaican Heroes“.

The self-produced “Jamaican Heroes” was released through Trojan Records in 1980, and it found Prince Far I saluting the Jamaicans who we now know as national heroes. The 6 heroes and 1 heroine started revolutions, fought to hold high positions that would make Jamaica becoming Independent a reality, and helped to make the Island a shining jewel in the world. Far I delivered solid words over a solid production, and had the assistance of backup Vocalists throughout. “Jamaican Heroes” was featured on the 1980 album of the same name, and was one of his well-recognized tunes.

Since the release of “Jamaican Heroes”, Prince Far I would go on to release and produce more music, and perform in various parts of the world. Sadly on September 15, 1983, he would tragically lose his life in the aftermath of a robbery in his home. “The Voice Of Thunder“, as he was sometimes called, would be an influence to many Reggae Artists over the years. “Jamaican Heroes” is still played in parts of the world today.

Salute Our Heroes! Thank You Prince Far I For This Great Song!

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The Cimarons "Paul Bogle" on 13thStreetPromotions.com #Jamaica #Reggae #RootsReggae #Music #13thStreetPromotions #TheCimarons #PaulBogle #HeritageWeek #NationalHero #StThomas #MorantBay #MorantBayRebellion #Caribbean

OLDIES SUNDAY: The Cimarons – Paul Bogle (1976)


Monday October 14 will commence “Heritage Week” in Jamaica. The week leads up to the celebration of our National Heroes on October 21st, and the Island has a number of events lined up. We try to highlight the celebration of our heroes every year on “Oldies Sunday“, and today is no different. Today’s selection comes from The Cimarons with their track, “Paul Bogle“.

The self produced “Paul Bogle” track was released in 1976 through the Cimarak label, and it finds The Cimarons highlighting the contributions of the late National Hero, Paul Bogle. Bogle was a Deacon and Activist from the Parish of St. Thomas, and was instrumental in the 1865 Morant Bay Rebellion. The song encourages everyone to say Bogle’s name loudly, and salute him for the great things he has done in prompting the freedom of Black people in Jamaica. His sacrifice was widely regarded, and he was posthumously awarded the title of National Hero by the Government of Jamaica in 1969 along with George William Gordon, who was involved in the Morant Bay Rebellion, Marcus Garvey, Alexander Bustamante, and Norman Washington Manley. He was immortalized through numerous publications, songs, events, and art, and was the face of the Jamaican 10 cent coin, the $2 bill, and since 2023, is one of the faces of the $50 bill. This past October 11 was recognized as “Paul Bogle Day” in Jamaica. The track became a favourite for many listeners thanks to its dose of knowledge, and was featured on The Cimarons’ 1976 album, “On The Rock“. It was re-recorded and released in early 2024.

Salute Our Heroes! Thank You Cimarons For This Great Song!

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Irene Cara "Flashdance...What A Feeling" on 13thStreetPromotions.com #NewYork #PuertoRico #Cuba #PopMusic #DancePop #Music #13thStreetPromotions #IreneCara #FlashdanceWhatAFeeling #1983 #Flashdance #Oldies #OldSchool #OldiesSunday #Caribbean

OLDIES SUNDAY: Irene Cara – Flashdance…What A Feeling (1983)


We’re celebrating Hispanic Heritage Monthon Oldies SundayHispanic Americans continue to make significant contributions to entertainment, sports, and pop culture, and we have highlighted a number of them. Today’s feature comes from American Singer of Puerto Rican and Cuban descent Irene Cara with her single, “Flashdance…What A Feeling“.

Produced by Giorgio Moroder and released through Casablanca Records in 1983, Irene Cara had the people moving with “Flashdance…What A Feeling”. The Dance-Pop single shared lyrics of believing in yourself, letting the music move you, and doing something great to be a success even when the odds are stacked against you. “Flashdance” was a single on the soundtrack for the 1983 Film of the same name and it was used in a pivotal part of the Film, and went on to become a #1 Billboard Hot 100-charting hit, a Gold certification, a GRAMMY award for “Best Female Pop Vocal Performance“, and Academy and Golden Globe awards for “Best Original Song“. In 2023, it was chosen by the Library Of Congress for inclusion in the National Recording Registry. It also pushed the soundtrack to go 6x Platinum.

Since the release of “Flashdance…What A Feeling”, Irene Cara went on to release more music, acted in numerous Films and Broadway productions, and collaborated with a number of Artists before passing away in 2022. “Flashdance…What A Feeling” remains one of her most successful singles.

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Tito Puente "Oye Cómo Va" on 13thStreetPromotions.com #NewYork #PuertoRico #ChaChaCha #Music #13thStreetPromotions #TitoPuente #OyeComoVa #1962 #OldiesSunday #SpanishHarlem #Oldies #OldSchool #HispanicHeritageMonth #HispanicAmerican

OLDIES SUNDAY: Tito Puente – Oye Cómo Va (1962)


We’re celebrating Hispanic Heritage Monthon Oldies SundayHispanic Americans made significant contributions from entertainment, to sports, to pop culture, and we have highlighted a number of them. Today’s feature comes from Puerto Rican-American Musician Tito Puente with the track, “Oye Cómo Va“.

Composed by Tito Puente and released through Tico Records in 1962, “Oye Cómo Va” is a celebration of rhythm, as it features very little vocals. Carried by horn, percussion, piano, flutes, and string arrangements, the Cha-Cha-Chá track encouraged dancing, and plenty was done when this was released. The track was inspired by Cuban Composer Cachao’s Mambo track “Chanchullo” from 1957, and listeners could hear the similarities in the arrangement. “Oye Cómo Va” was featured on Puente’s 1962 album, “El Rey: Bravo“, and success for the track came soon after as it was covered by American Rock Band Santana (lead by Mexican-American Musician Carlos Santana) in 1971 to high chart placements, and a place in the Latin Grammy Hall Of Fame in 2001, and the Grammy Hall Of Fame in 2002. The track was also covered by Joe Cuba, Julio Iglesias, Celia Cruz, Kinky, Natalie Cole, and Chisato Moritaka.

Since the release of “Oye Cómo Va”, Tito Puente went on the enjoy a decades-long music career, dabbled in making TV appearances, collected awards and accolades, and shared his music with the world stage until his passing in 2000. “Oye Cómo Va” remains one of his most recognizable compositions, and a representation of the interconnectedness, transnationality, and hybridity of Latin Music in the US.

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Prince Royce "Corazon Sin Cara" on 13thStreetPromotions.com #DominicanRepublic #Bachata #Music #13thStreetPromotions #PrinceRoyce #CorazonSinCara #2010 #TopStop #LoveIsBlind #HeartWithoutAFace #Oldies #OldiesSunday #OldSchool #NewYork

OLDIES SUNDAY: @PrinceRoyce – Corazón Sin Cara (2010)


September 15 kicked off “Hispanic Heritage Month” in the United StatesHispanic Americans made significant contributions from entertainment, to sports, to pop culture, and we highlight a number of them on Oldies Sunday. Today, we check out Dominican American Singer Prince Royce and his single, “Corazón Sin Cara“.

Produced by Andrés Hidalgo, Sergio George, and Eduardo Aguilar, Prince Royce’s “Corazón Sin Cara” was released through Top Stop Music in 2010. The Bachata track, which is translated to “Heart Without A Face/Love Is Blind“, was aimed at Women who dealt with low self-esteem, reassuring that it’s not about what they need to wear or how they need to look to someone, as love and attraction to someone is for the most part attributed to their true self, the morals they possess, and there is someone who will see the best in them in every way. The materialistic part is ok, but not the be-all and end-all. The track quickly became a hit for Royce, enjoyed placements on the Billboard US Latin charts, and Latino charts in Venezuela, and between its release and early 2011 was the most requested Latin single on US Radio. The track was featured on Royce’s self-titled debut album, and went on to go Gold in Italy, and 26x Platinum in Latin America. He also released a “2.0” version of the track for Amazon in 2022.

Since the release of “Corazón Sin Cara”, Prince Royce enjoyed a successful career that secured various awards, selling Gold, Platinum, and Diamond records, dabbling in TV/Film, and became of the more successful Latin Artists. “Corazón Sin Cara” remains his signature song.

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OLDIES SUNDAY: @IvyQueenDiva – Quiero Bailar (2003)


September 15 marks the start of “Hispanic Heritage Month” in the United States. The month recognizes the contributions and influence of Hispanic Americans from entertainment, to sports, to pop culture. Today on Oldies Sunday, we highlight one of those contributors. Her name is Ivy Queen, known as the “Queen Of Reggaeton” who hails from Puerto Rico, and her track is called, “Quiero Bailar (I Want To Dance)“.

Produced by Iván Joy and Jeremy Harding and released through Universal Music Latino in 2003, Ivy Queen made a powerful move with “Quiero Bailar”. The song speaks of a Woman who dances with a Man, but he misinterprets her sensual moves as an invitation to sleep with her. She emphasizes that that isn’t the case, and she shouldn’t be looked on as a promiscuous Woman. She wants to have fun, and not be added to a Man’s list or roster. “Quiero Bailar” sampled Harding’s “Liquid Riddim“, which was released in 2001, and borrows a cadence from Missy Elliott’sAll N My Grill” from 1999 (which was also borrowed by Dancehall Artist Chino, who has a song called “Hold Yuh Man” on the Liquid Riddim). The Reggaeton release was first featured on the Reggaeton Compilations “The Majestic 2“, and “Kilates“, and enjoyed success on those projects before being included in the Platinum Edition of Ivy’s “Diva” album, which was released in 2004.

“Quiero Baliar” enjoyed success as it became the first Spanish-language track to go #1 on Miami’s WPOW Rhythmic Top 40 chart, scored Billboard chart placements, and became an anthem for Women’s Empowerment. “Quiero Bailar” was covered by Puerto Rican Rapper Dlaklle, Recording artist Abaya, Boricua Boys, was sampled by Ecuadorian Singer Sophy Mell, and Chilean Singer Paloma Mami, was remixed with Reggaeton Artist Karol G, and was re-recorded in 2019 with a Female-led team of Engineers in partnership with Spotify, and released on International Women’s Day.

Since the release of “Quiero Bailar”, Ivy Queen went on to release more music to much success, and is still active. She has influenced a number of Artists, and has made major contributions to Reggaeton, and the Hispanic American culture. “Quiero Bailar” remains one of her most recognized tracks.

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