Tag: Old School

Adina Edwards "Don't Forget To Remember" on 13thStreetPromotions.com #Jamaica #GospelMusic #Music #13thStreetPromotions #AdinaEdwards #DontForgetToRemember #BeeGees #1972 #OldiesSunday #Oldies #OldSchool #WomensHistoryMonth #WomensMonth #Caribbean #TommyCowan

OLDIES SUNDAY: Adina Edwards – Don’t Forget To Remember (1972)

Posted on by swadedavillain

The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Adina Edwards with the track, “Don’t Forget To Remember“.

Produced by Tommy Cowan and released through Dynamic Sounds in 1972, “Don’t Forget To Remember” was Adina Edwards’ cover of British-Australian group The Bee Gees’ 1969 single. The song speaks about someone who is dealing with a breakup, and shares with their former lover that they still love them, and they should keep them and their memories close, and never forget them. The original was delivered in a Country Music style, but when Edwards took the reins, she delivered with in a soulful way that made even Church folks sing praises. The song would later be featured on her 1973 album of the same name, and become a very popular selection in Jamaica, making Edwards a household name. She made history as being the third Woman in Jamaican music to make it to the top 10 charts in 1972, a feat that took some time to happen as the music scene was Male-dominated, coming in at number 8. Adina Edwards was a blind Singer who was known to frequent parts of Kingston in the 1960s where she sang and played musical Instruments (namely the Accordion and Piano) in the streets for donations. She was first known for her performance during her time at the Salvation Army Institute For The Blind in 1939, and would enter a number of talent shows over the years, winning over the crowd. A chance meeting with Tommy Cowan would change her life for the better, and he would produce a number of her singles, ranging from R&B, Soul, Calypso, and Gospel, but would lean more to Gospel music in later years. She also collaborated with Byron Lee (who signed her to his label), Joe Gibbs, and “Sir Coxsone” Dodd, and released three albums. She also released music through a label called “Help The Blind“, we believe it was owned by her. She was a true believer of not letting her disability hinder her greatness.

Since the release of “Don’t Forget To Remember”, Adina Edwards would release more music, but would soon become well known for her Gospel releases, making some consider her a “Queen of Jamaican Gospel Music“, inspiring many Gospel Artists. She would continue to perform at various events over the years, racking up praises from those who experienced her music. She is mentioned in the book, “Songbirds: Pioneering Women in Jamaican Music“, and her famous Accordion was donated to The Jamaican Music Museum. Outside of music, she was a loving Mother who adopted a number of children, and also ran a Nursery in Kingston during the 1970s where she took care of 48 children. Edwards passed away in 2008, but her legacy lives on.

THANK YOU Adina Edwards FOR THIS HIT!

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Foxy Brown "Sorry" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #FoxyBrown #Sorry #TracyChapman #BabyCanIHoldYou #CoverSong #OldiesSunday #Oldies #OldSchool #1988 #Foxy #Caribbean

OLDIES SUNDAY: Foxy Brown – Sorry (1988)

Posted on by swadedavillain

The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Foxy Brown (not the Rapper from Brooklyn) with the track, “Sorry“.

Produced and released by Harold “Papa Biggs” Mclarty on the “Taxi Riddim“, and released in 1988, Foxy Brown delivers a Jamaican cover of US Recording Artist Tracy Chapman’s single “Baby Can I Hold You“, but renamed “Sorry” for Foxy. The song speaks about a time when couples fall out and arguments happen, but when it comes to apologizing and making things right, it’s not always easy to do. Sometimes the right and important words just need to be said. Foxy sings throughout this, with her own melodies but borrowing the cadence from the original, over original Jamaican production. “Sorry” became a hit for Foxy Brown, but got even bigger when it was re-released in 1989 featuring production by Steely & Clevie. The new version also entered Billboard’s Black Singles chart. The song was also featured on her debut album, “Foxy“, which was released the same year. “Sorry” also allowed Foxy opportunities to voice Dubplates for years to come, and perform at various events.

Since the release of “Sorry”, Foxy released a few more singles in the early 1990s, and while some were hits, they didn’t match the level of “Sorry”, and her career stalled in that decade. Hard times fell on her along with a decline in her Mental Health, and she has been seen in various parts in Kingston over the years. She recently got some help from fellow Dancehall Artist Mr. Vegas, but we hope her living conditions improve as she still struggles with her Mental Health. “Sorry” remains her biggest hit.

Thank You Foxy Brown For This Hit!

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Queen Paula "Me A The Teacher" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #QueenPaula #MeATheTeacher #1988 #WomensHistoryMonth #MichaelHarrison #SteveKnight #Throwback #OldiesSunday #Oldies #OldSchool #WomensMonth #Caribbean

OLDIES SUNDAY: Queen Paula – Me A The Teacher (1988)

Posted on by swadedavillain

The Month of March is recognized as “Women’s History Month“, and we recognize a few great Women who made significant contributions to Music. Today’s selection on “Oldies Sunday” comes from Queen Paula with the track, “Me A The Teacher“.

Produced by Michael Harrison and Steve Knight and released through Ridim Force in 1988, Queen Paula leaves the Musical Teachers’ College to own the scene with a catchy flow and attention-grabbing lyrics in “Me A The Teacher”. The early years of Dancehall saw the rise of Female Deejays, and Queen Paula was a part of the flock that took over the scene, and showed the Men that the Women can run things as well. The track made the statement that Paula is a top tier Artist, and it’s not going to be a small feat if you wish to challenge her. “Me A The Teacher” was well-received by the listeners, and was added to the list of tunes that showcased Paula’s skillset.

Since the release of “Me A The Teacher”, Queen Paula continued to record and release music in the 90s, and parts of the 2000s and 2010s, and even made appearances at events and sessions in recent years. She engaged in a couple lyrical confrontations with fellow Female Deejays, but she has earned her place as one of the foundation Deejays, and inspired a number of Female Artists over the years. This Teacher runs things.

Thank You Queen Paula For This Track!

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Garifuna Kids "Baila Baila" on 13thStreetPromotions.com #Belize #Garifuna #PuntaRock #Music #13thStreetPromotions #GarifunaKids #GarifunaMusic #BailaBaila #RochezBrothersEntertainment #1993 #Caribbean #CentralAmerica #oldies #OldiesSunday #OldSchool

OLDIES SUNDAY: Garifuna Kids – Baila Baila (1993)

Posted on by swadedavillain

Closing off “Black History Month” on “Oldies Sunday“, we wanted to not only give you a past hit, but introduce to an audience something they haven’t heard before. While Reggae, Soca, Calypso, Reggaeton etc. are signature sounds from the Caribbean/Latin America, we wanted to share some Garifuna Music. The Afro-Indigenous people of Central America and Saint Vincent and The Grenadines introduced it with sounds originating from West Africa, then spread it to countries like Belize and Honduras, and was given the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity title by UNSECO in 2001. Today, we highlight Belizean group the Garifuna Kids, and their track, “Baila Baila“.

Released through Rochez Brothers Entertainment in 1993, the Garifuna Kids brought great vibes and high energy with “Baila Baila”. The track drew inspiration from Punta Rock (a sub-genre of Garifuna Music), while the production was a mix of traditional Instruments, callbacks, and melodies that had everyone truly dancing. The track quickly caught on shortly after its release, and was featured on the group’s 1993 album of the same name. The country of Belize was home to many Garifuna musicians, and Garifuna Music was one of the sounds that empowered the people. The Garifuna Kids are still an active group, and continue to perform in Belize and other parts of the world, keeping the culture alive in the process. “Baila Baila” remains one of the group’s most memorable songs, and has been getting some recognition over the years on Social Media.

Thank You Garifuna Kids For This Hit!

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Jimmy Cliff "We All Are One" on 13thStreetPromotions.com #Jamaica #Reggae #Music #13thStreetPromotions #JimmyCliff #WeAllAreOne #ThePowerandtheGlory #OldiesSunday #Oldies #Oldschool #1983 #Caribbean

OLDIES SUNDAY: Jimmy Cliff – We All Are One (1983)

Posted on by swadedavillain

It’s Reggae Month in Jamaica, and we continue to show respect to those who have contributed to the further development and success of Reggae on “Oldies Sunday“. Today’s entry highlights a Jamaican Rockstar who helped to set the standard. We look back at Jimmy Cliff, and his track, “We All Are One“.

Produced by Amir Bayyan, Jim Bonnefond, and Ronald Bell and released through Columbia/CBS in 1983, Jimmy Cliff promoted unity in “We All Are One”. Cliff reminds us that despite our race, age, culture, and nationality, we are all human with similar qualities and features at the end of the day, and we should treat each other better. Cliff delivers melodies over some solid production that taps into Reggae and Pop sounds, and “We All Are One” quickly became a hit for him. The single was featured on Cliff’s GRAMMY-nominated 1983 album, “The Power And The Glory“. Jimmy Cliff was one of the Artists who helped in bringing Reggae to International popularity in the early stages, and has inspired many around the world.

Since the release of “We All Are One”, Jimmy Cliff went on to release more music. He is a 2 time GRAMMY winner, was given the Order of Merit by the Government of Jamaica, was assigned as a Peace Ambassador for the United Nations, has been a part of many Humanitarian campaigns, and continues to contribute to the extension of Reggae music around the world. “We All Are One” remains one of his memorable hits.

Thank You Jimmy Cliff For This Classic!

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Gregory Isaacs "More Gregory" on 13thStreetPromotions.com #Jamaica #Reggae #Music #13thStreetPromotions #GregoryIsaacs #Moregregory #1981 #IfIDontHaveYou #Oldies #OldiesSunday #OldSchool #Valentines #ValentinesDay #VDay #Caribbean #LoversRock

OLDIES SUNDAY: Gregory Isaacs – If I Don’t Have You (1981)

Posted on by swadedavillain

This Friday will be Valentine’s Day, and we know there will be many who will be in the loving mood, taking the time out to give their lover gifts, and take them out on dates. For the rest of the world, it’s just another Friday. We wanted to get ahead of the crowd with an “Oldies Sunday” selection that is nothing short of a classic. We go back to the 80s to tune in to “The Cool Ruler” Gregory Isaacs’ “If I Don’t Have You“.

The self-produced “If I Don’t Have You” was released in 1981 through the Pre and Charisma labels, Gregory Isaacs delivered a song so relatable with “If I Don’t Have You”. When it comes to someone you have a deep admiration and love for, you’ll want to do everything to ensure it’s perfect. For Gregory, he believes she is that one Woman that checks all the lists, is his ideal match, and his forever love. If he messes it up, he has no desire to seek another. “If I Don’t Have You” was an instant hit for Gregory locally and Internationally, and listeners fell in love with his signature smooth delivery, and the lyrics definitely connected. The track was included in his 1981 album, “More Gregory“. The track was also referenced in Brooklyn Rapper Yasiin Bey (fka Mos Def) in his 1999 single, “Ms. Fat Booty“. “If I Don’t Have You” is considered one of Gregory Isaacs’ most popular songs, and it ranks high among his extensive catalogue.

Since the release of “If I Don’t Have You”, Gregory Isaacs secured his place as one of the legends of Jamaican music, releasing many albums and singles over the years. His life was cut short in 2010, but his music continues to live on. Many of his love songs are played during the Valentine’s season, including “If I Don’t Have You”. Happy Valentine’s Day in advance.

THANK YOU MR. ISAACS! CHECK OUT OUR GREGORY ISAACS PLAYLIST!

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