Tag: Oldies Sunday

Mr. G a.k.a. Goofy "Dog Bark" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #MrG #Goofy #DogBark #SteelieandClevie #1996 #ColombianNecktieRiddim #Oldies #OldiesSunday #90s #OldSchool #Caribbean

OLDIES SUNDAY: Mr. G (Goofy) – Dog Bark (1996)

Posted on by swadedavillain

It’s a new month, and we want to start it off in a comedic way on “Oldies Sunday“. For today’s selection, we go back in time to check out Mr. G (also known as Goofy)’s single, “Dog Bark“.

Produced by Steely & Clevie on the “Colombian Necktie Riddim” and released through Studio 2000 in 1996, the pursuit of some loving is disturbed by a few things in “Dog Bark”. Mr. G pursues a young lady in this adventure, and they have decided to have some fun in the dark in a not so convenient space. Despite it being a spontaneous way of connecting, the disturbance of dogs and a furious weapon-wielding Father who believes in the security of his family take over the situation, and could end with Mr. G admitted to the Hospital, or laid to rest. Mr. G always delivered some of his music in a comedic way (thanks to his own vocal version of the Disney character “Goofy”), and “Dog Bark” was instantly met with positive reviews. It also gave the Deejay a #1 placement on Jamaica’s music charts, and its accompanying Llewellyn O’Reggio-directed Music Video further showcased his comedic side.

Since the release of “Dog Bark”, Mr. G continued to have a successful career throughout the 90s, 2000s, and beyond as a Recording Artist, and Producer. He has assisted in the development of a number of Artists, and is still actively recording, performing, and releasing music. “Dog Bark” is still loved and played by many today.

Thank You Mr. G For This Classic!

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Misty Jean "Li Pa Two Ta" on 13thStreetPromotions.com #Haiti #PortAuPrince #HaitianCreole #PopMusic #Compas #Music #13thStreetPromotions #MistyJean #KijanLariAYe #2008 #LiPaTwoTa #Caribbean #HaitianHeritageMonth

OLDIES SUNDAY: @MistyJeanMusic – Kijan Lari A Ye (2008)

Posted on by swadedavillain

The month of May is recognized as “Haitian Heritage Month“, and we’re sending love to Haiti, and those of Haitian descent on “Oldies Sunday“. Today, we go back in time a lil to check out Recording Artist Misty Jean’s “Kijan Lari A Ye“.

Produced by Jeff Wainwright and released through Melodie Makers, Inc. in 2008, “Kijan Lari A Ye” is a Compas single by Misty Jean that started a party in the streets. The production, the Haitian Creole, and the chanting throughout brought a unique vibe, and encouraged the listener to get in the groove. The single was released during one of the heights of Misty’s popularity, and it enjoyed much success locally, and Internationally. “Kijan Lari A Ye” was featured on Jean’s 3rd album, “Li Pa Two Ta“, which was also a successful release. A Music Video accompanied “Kijan Lari A Ye”, and was shot in Florida at the Plantation High School with Oriol Vatelia handling directorial duties.

Since the release of “Kijan Lari A Ye”, Misty Jean’s popularity grew even more. A star since a child, she earned a legendary status in the music scene, represented Haiti in various ways, got into acting and entrepreneurship, and worked on more music over the years. “Kijan Lari A Ye” is still played today by many around the world.

Thank You Misty Jean For This Hit!

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Risto Benji "Gimme De Money" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #RistoBenji #GimmeDeMoney #PunannyRiddim #1987 #KingJammys #Jammys #Oldies #OldiesSunday #OldSchool #ChildsMonth #ChildStar #Caribbean

OLDIES SUNDAY: Risto Benji – Gimme De Money (1987)

Posted on by swadedavillain

May is recognized as “Child’s Month“, and on “Oldies Sunday“, we highlight some of the yutes of yesteryear. Today’s selection comes from the late Risto Benji with the track, “Gimme De Money“.

Produced by King Jammys on the “Punanny Riddim” and released through the Jammy’s label in 1987, it’s all about the money for Risto Benji in “Gimme De Money”. Times are hard, and money solves most problems, and Benji wants it all in various currencies. In his extreme way, he wants the money to drive him crazy, and take him to the grave. “Gimme De Money” borrowed some of the cadence from Admiral Bailey’s “Punanny” track on the same Riddim that was released in 1986, and it turned out to be a popular track for the Child Star, instantly giving him fame. Benji was granted the opportunity to tour off of the success of “Gimme De Money”, but maintaining fame was difficult because he got caught up in a different kind of life outside of the music. Sadly, Risto Benji passed away in 2011, with many expressing that he had the potential be an even greater Artist, and solidify a more legendary spot in Dancehall’s hall of fame. Many still play “Gimme De Money” today, and remember the era of the former Child Star.

Thank you Risto Benji for this classic! Sleep Well.

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Conky a.k.a. Mighty Conqueror "Sweet Mother" on 13thStreetPromotions.com #TrinidadandTobago #Calypso #Music #13thStreetPromotions #Conky #MightyConqueror #SweetMother #1978 #MothersDay #HappyMothersDay #Mom #Mama #Mother #Caribbean

OLDIES SUNDAY: Conky – Sweet Mother (1978)

Posted on by swadedavillain

Today is for the Mom, Mama, Mommy, Ma, Grandma, Auntie, and Mother. It’s Mother’s Day on “Oldies Sunday“, and we send a shout out to them all. Today’s selection comes from the late Calypsonian, Mighty Conqueror a.k.a. Conky with the track, “Sweet Mother“.

Arranged by Art De Couteau, “Sweet Mother” was released in 1978 through the Jumbo Caribbean Disco label. Conky’s track was a cover of Cameroonian/Nigerian Singer Prince Nico Mbarga’s mega popular track that was released in 1976. The song speaks of a person’s gratitude towards their Mother as she has been there for them in every stage of life. Even when she’s not physically present, a Mother and her love are not forgotten in the heart of her Child. Conky’s version of “Sweet Mother” was a popular track in the Caribbean, and was highlighted yearly in some Islands including his home of Trinidad & Tobago. Celebrate your Mom today, and every day of the year.

HAPPY MOTHER’S DAY!

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Tony Tuff "I'll Have To Get You" on 13thStreetPromotions.com #Jamaica #Reggae #Dancehall #Music #13thStreetPromotions #TonyTuff #IllHaveToGetYou #IveGotToGetYou #GGsRecords #PenthouseRecords #AlvinRanglin #DonovanGermain #1980 #1990 #OldiesSunday #Oldies #OldSchool #Caribbean

OLDIES SUNDAY: Tony Tuff – I’ll Have To Get You (1980/1990)

Posted on by swadedavillain

Recently, the Jamaican music scene, and the music world lost another star. The late Singer Tony Tuff transitioned on April 20, and many fans are still mourning the loss. His career started as a member of The African Brothers in the 1960s before going solo in the 1970s, with a number of hits to his name. Today on Oldies Sunday, we pay tribute to him by highlighting his hit single, “I’ll Have To Get You“.

Produced by Alvin Ranglin and released through GG’s Records in 1980, Tony Tuff had his sights set on a beautiful Woman in “I’ll Have To Get You”. He takes the listener through this story from the day he first laid eyes on her, to finding every way to not only have her full attention, but actually making her his. He shows a keen determination in getting her, and he lists all the qualities that make him attracted to her. The low tempo production on “I’ll Have To Get You” encourages many couples to boogie down in the later part of the dance, and the single quickly became a hit.

The popularity of “I’ll Have To Get You” enabled it to get a second life in 1990 when it was re-recorded and released as “I’ve Got To Get You“. Produced by Donovan Germain and Dave Kelly on the “A Love I Can Feel Riddim” and released through Penthouse Records, Tony Tuff’s hit earned him a new audience, and it secured its own place a 90s hit as the “A Love I Can Feel Riddim” gained popularity. It was allowed Tony to record various Dubplates for the song in the following years

Since the release of “I’ll Have To Get You”, Tony Tuff enjoyed a solo career that found him releasing more music and albums, touring parts of the world until his passing at age 69. The old and new versions of “I’ll Have To Get You” remain some of his most recognized singles.

Thank You Tony Tuff For This Classic! Sleep Well.

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Phyllis Dillon "Don't Stay Away" on 13thStreetPromotions.com #Jamaica #Reggae #Ska #Rocksteady #Music #13thStreetPromotions #PhyllisDillon #DontStayAway #1967 #DukeReid #TreasureIsleRecords #TommyMcCookandTheSupersonics #OldSchool #Oldies #OldiesSunday #Caribbean

OLDIES SUNDAY: Phyllis Dillon – Don’t Stay Away (1967)

Posted on by swadedavillain

“Oldies Sunday” was made for those who grew up around the Radio, who grew up with Vinyl Records, Cassettes, CDs, MP3 Players, 8 Track, and Music Streaming platforms. In other words, for those who appreciate the music before our time, and those who lived in the time of these tunes. Today’s selection comes from one of Jamaica’s greatest Songbirds. Her name is Phyllis Dillon, and we’re checking out, “Don’t Stay Away“.

Produced by Duke Reid with backing by Tommy McCook and The Supersonics and released through his Treasure Isle Records in 1967, it’s all about a love that has strong hold on someone in Phyllis Dillon’s “Don’t Stay Away”. Dillon shares that if the Man she’s interested knew the extent of her love, he wouldn’t have considered other Women. While there may be other Women who she claims are more beautiful than her and would try to treat him nice, she believes she would do a better job, and he wouldn’t need another. “Don’t Stay Away” was a hit for Phyllis Dillon, was considered “the finest female performance in Jamaican Music“, and was her first Record with Duke Reid. “Don’t Stay Away” was also sampled by Kes The Band for the track, “Tuesday On The Rocks” in 2012 Dillon went on to voice even more music with Duke Reid, acquiring more success along the way.

Since the release of “Don’t Stay Away”, Phyllis Dillon migrated to the United States, and released more music including her debut album, “One Life To Live” while having a career in the Banking sector. She ended her career as a Recording Artist in 1971, but thanks to an invitation to perform in Jamaica in the early 1990s, she developed a renewed interest in recording and performing. By the mid-1990s, a resurgence of Ska music in the United States lead her back into the Studio, and she remained active touring, performing, and recording until her passing on April 15, 2004 after a battle with Cancer. “Don’t Stay Away” remains one of Dillon’s biggest singles, and is still celebrated around the world.

Thank You Phyllis Dillon For This Classic!

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