Tag: 1989

Nahki - Original Ninja on 13thStreetPromotions.com #Jamaica #Japan #Dancehall #JapaneseDancehall #Music #13thStreetPromotions #Nahki #OriginalNinja #BaddestJapanese #1989 #KingJammys #Oldies #OldiesSunday #OldSchool #Caribbean #Asia

OLDIES SUNDAY: Nahki – Original Ninja (1989)

Posted on by swadedavillain

Happy Oldies Sunday! In our last post, we highlighted Artists who were influenced by Caribbean music, and today is no different. The country that our next Artist originates from has a longstanding music history with Jamaica, and the relationship is still strong today. For today’s selection, we head over to Japan to check out Nahki’s “Original Ninja“.

Produced by King Jammys and released through Jammy’s Records in 1989, Nahki stepped out with a single that helped to introduce the world to Japanese Dancehall. Heavily influenced by Jamaica, Nahki adopted Patois, and delivered with a melody and stance like he was one of the top Dancehall acts in those times. A lover of Reggae music since the 70s, it was a chance meeting with Reggae/Dancehall Icon Sugar Minott that gave him a chance to hone his skills, and make solid bonds with fellow Artists and Producers in Japan, and Jamaica. “Original Ninja” was a hit for Nahki, and the track was featured on his debut album, “Baddest Japanese” that was released in 1990.

Since the release of “Original Ninja”, Nahki went on to release a few more albums, scored more hits, maintained “Reggae Japansplash” which he helped to start in 1985, and etched his place in the history books. He is widely regarded as a pioneer in Japanese Dancehall, an Ambassador for Dancehall & Reggae, and he helped to influence generations of talent from Japan. “Original Ninja” is still recognized today along with many of Nahki’s releases.

Thank You Nahki For This Classic!

Nahki、この古典的な作品をありがとう!

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Thriller U "Sweetest Sound" on 13thStreetPromotions.com #Jamaica #Dancehall #Music #13thStreetPromotions #ThrillerU #OldiesSunday #Oldies #DigitalB #1989 #TwoGoodToBeTrue #Caribbean

OLDIES SUNDAY: Thriller U – Sweetest Sound (1989)

Posted on by swadedavillain

Today, we celebrate one of Jamaica’s respected Vocalists, Thriller U. Today (August 14) he celebrates his birthday, and for our Oldies Sunday selection, we highlight one of his earliest singles, “Sweetest Sound“.

Produced by “Bobby Digital” Dixon on the “Peanie Peanie Riddim” and released through Digital-B Records in 1989, Thriller U, a then Teen sensation, gives us a song that all the DJs loved. With his smooth vocals, Thriller U borrows from Anita Wards’ 1979 Disco hit, “Ring My Bell” for the chorus of a song that goes into attack mode for any “Soundbwoy” who wants to test a Champion Sound. Whether they ensure that the vibes is right at a party or secure victory at any Sound Clash, Thriller U sings for the sound that runs the place. “Sweetest Sound” was included in the compilation album “Two Good To Be True” featuring Admiral Tibet, that was released in 1989 through Digital-B Records.

Since the release of “Sweetest Sound”, Thriller U went on to enjoy a successful solo career, and became a member of the super group L.U.S.T. with Singing Melody, Lukie D, and Tony Curtis. Thriller U is still active with a plethora of singles out, and he still gives his all with every performance. Big up Thriller on his birthday!

Thank You Thriller U For This Classic!

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OLDIES SUNDAY: Anthony Malvo & Tiger – Come Back To Me (1989)

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It’s a new month, and it’s a month that’s popular with Weddings so expect love songs! For today’s Oldies Sunday selection, we go back in time to check out Anthony Malvo and Tiger’s (Happy Birthday to the boss!) single, “Come Back To Me“.

Produced by Winston Riley on the Legal Rights Riddim and released through the Techniques label in 1989, “Come Back To Me” is a Dancehall remix of US R&B group The Deele’s (which included Babyface and L.A. Reid) classic, “Two Ocassions“. Anthony Malvo sings away a cut of the original track while Tiger gives us his signature deejaying as it’s all about love here. A music video was released for “Come Back To Me”, and it featured Dancehall personality Pinky, and her sister who would become a future Dancehall Queen named Carlene. This one is for the couples out there, we hope you’re keeping the love alive during the pandemic. Play this one at a high volume!

Check out the track below, and share with a friend. Show us some love/follow us on Twitter and Instagram at @13thStreetPromo.

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OLDIES SUNDAY: Deborahe Glasgow – Don’t Test Me (1989)

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In recognition of March being “Women’s History Month“, Oldies Sunday will be highlighting a few women who have made their contribution to the Jamaican music landscape in the early years. Today’s selection comes from the late English born Lovers Rock/Reggae Artist Deborahe Glasgow who, despite a short music career, developed a following, and contributed to a few classic tunes. We check out her 1989 single, “Don’t Test Me“. Produced by Augustus “Gussie” Clarke, this single was featured on her 1989 self titled debut album. It was also released as a single and a duet version with Dancehall Artist Shabba Ranks in 1990. With lyrics about not being a pushover and being confident in one’s self, the single was a rather motivating one back in the day. It got bigger with the addition of Shabba’s contribution, and was sampled by the late Notorious B.I.G. on Hip Hop group Junior M.A.F.I.A.’s remix to their “Get Money” single in 1995.

Having started her career in her teens, she stepped out of the scene to devote more time to her family. Sadly she passed away in 1994, but is still remembered for her contributions to Lovers Rock, Reggae, and Dancehall.

We hope you enjoy our selection today. Be sure to check out the track and share with a friend. Show us some love/follow us on Twitter and Instagram at @13thStreetPromo.

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We Close Black History Month With @ZiggyMarley & The Melody Makers’ “Black My Story”

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With Black History Month and Reggae Month coming to an end, we’ve decided to close with a throwback! Going back to the year 1989, we look back at Ziggy Marley & The Melody Makers’ “Black My Story (Not History)“. Produced by Chris Franz, Glen Rosentein, Tina Weymouth, and Ziggy Marley, this was released through Rita Marley Music and Virgin Records. In the song, Ziggy speaks on the progression of the black man and what they’ve contributed to the World, and encourages listeners to embrace it and not be fooled by the whitewashed version. He also names many African nations and promotes African Glory. The track is also the opener for the group’s 4th Album, “One Bright Day” which was also released in 1989.

To close off, here’s a quote from the late Nelson Mandela.

“For to be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.”

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Road To The Reggae Grammy: We Look Back At The Nominations Of 1989!

Posted on by swadedavillain

With the staging of the 60th Grammy Awards drawing near, we thought we’d look back at some of years where the Reggae Grammy was won. While many know of the winners, we also want to look back at some of the nominees. Today we’ll look at the year 1989.

Words By: @SwadeDaVillain 

Nominees

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1. Jimmy Cliff – Hanging Fire

Reggae Artist Jimmy Cliff received his 2nd Grammy nomination in his career with the 1987 Album, “Hanging Fire”. The Album featured 8 tracks, and included the singles “Reggae Down Babylon”, “Soar Like An Eagle”, and the title track, “Hanging Fire”.

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2. Toots Hibbert – Toots In Memphis

Toots Hibbert had a great run when paired up with The Maytals, but when he brought his Reggae sound to Memphis, Tennessee for an Album, it was considered one of his best works and earned him a Grammy nomination. The 1988 Album featured Toots taking on ’60s classics like “I’ve Got Dreams To Remember”, “It’s A Shame”, “Love And Happiness” and more.

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