Asher D & Daddy Freddy - "Summertime" on 13thStreetPromotions.com #Jamaica #UK #Dancehall #Ragga #Music #13thStreetPromotions #AsherD #DaddyFreddy #Summertime #Summer2023 #OldiesSunday #MungoJerry #Caribbean #1988

OLDIES SUNDAY: Asher D & Daddy Freddy – Summertime (1988)


It’s been a while, but Sundays are for “Oldies Sunday“! Summer is officially here, and that means lots of outside activities for many. One key addition is music, and we have an Oldies Sunday selection for you to check out. Tune in to UK-based duo Asher D & Daddy Freddy’sSummertime“.

Produced by Simon Harris and released through Music Of Life in 1988, Asher D (not to be confused with UK Rapper & “Top Boy” Actor Asher D) & Daddy Freddy gave us a Jamaican style cover of the classic single, “In The Summertime“. “In The Summertime” was originally recorded by British Rock Band Mungo Jerry in 1970, and was huge hit. “Summertime” not only borrowed elements from the original track, but focused on the beautiful ladies from Jamaica, New York, London, Germany, and Italy who would catch the attention of the duo. The song celebrates the summer holidays, beautiful Women, and paid homage to a classic song.

Asher D & Daddy Freddy were the originators of the “Raggamuffin Hip Hop” subgenre, a fusion of Ragga and Hip Hop, and found success with “Summertime” and previously released music. Since the release of “Summertime”, the duo were temporarily split up due to Asher D’s imprisonment in the late 1980s, but reunited in early 1991 before splitting up again indefinitely. Daddy Freddy (who became the World’s Fastest Rapper in 1989 and was inducted in the Guinness Book Of World Records) is still active as a solo Artist, but Asher D has been absent since the 90s. Fans of “Summertime” still play it to this day, reminiscing on the summer holidays in their younger years.

Thank You Asher D & Daddy FreddY For This Tune!

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Eddy Grant "Gimme Hope Jo'Anna" on 13thStreetPromotions.com #Guyana #UK #SouthAfrica #Music WorldBeat #13thStreetPromotions #EddyGrant #Apartheid #1988 #Africa #Caribbean #Yoplait #DonaldTrump #NationalParty #FileUnderRock #BarefootSoldier

OLDIES SUNDAY: @Eddy_Grant – Gimme Hope Jo’Anna (1988)


Today, we give thanks for the progress we have made as a people, especially People Of Colour. While we have had our share of slip ups, we’ve made historic moves, and changed lives for better overall. Today on Oldies Sunday, we want to recognize a contribution to positive change. Today, we highlight Guyanese-born Recording Artist/Producer/Musician Eddy Grant and his track, “Gimme Hope Jo’Anna“.

A self-produced track that was released in 1988 through Parlophone/EMI, “Gimme Hope Jo’Anna” found Eddy Grant doing his part in promoting change for Black people and other people of colour. Released during the Apartheid era in South Africa (an Institutionalized racial segregation that existed there from 1948 to the 1990s), Eddy Grant cleverly penned lyrics speaking out for the end of Apartheid, making references to Archbishop Desmond Tutu who fought against it, highlighting the South African cities of Durban, Soweto, Province of the Transvaal, and personifying Johannesburg, the largest South African city that was symbolic of the National Party government that fostered Apartheid.

“Gimme Hope Jo’Anna” was not intended to be a hit single for Eddy Grant who returned to music after a brief hiatus, but it became an anti-Apartheid anthem that expressed change in South Africa, and brought International attention to South Africa. It enjoyed chart success in Europe, became popular in the UK, and was soon banned by the National Party (they later removed the ban to use it during their campaign for the 1994 South Africa general election). Despite its ban, “Gimme Hope” already did what needed to be done, contributing to the end of the racial segregation in the early 1990s. The track was included in Eddy Grant’s 1988 “File Under Rock” and 1990’s “Barefoot Soldier” albums, and is one of the most important songs of its time. The track was also performed in various parts of the world including India as it represented a different message, it was performed for the late Nelson Mandela for his 90th birthday, and was referenced in various sporting moments. “Gimme Hope Jo’Anna” was a part of more controversy in the early 2000s when an adopted version was used in a promotional campaign for Yoplait. The track also found popularity on Social Media platform TikTok.

Since the release of “Gimme Hope Jo’Anna”, Eddy Grant released more music. Now living in Barbados since the 1980s, he runs the Blue Wave Studio, introduced a new genre of music called “Ringbang“, pursued other businesses, received a Lifetime Achievement Award in Guyana, and even sued Donald Trump for the unauthourized use of his hit single “Electric Avenue” for a campaign. Eddy Grant has enjoyed a successful music career, with “Gimme Hope Jo’Anna” being one of his most important songs.

Thank You Eddy Grant For This Classic!

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Ziggy Marley And The Melody Makers "Tomorrow People" on 13thStreetPromotions.com #Jamaica #Reggae #Music #ZiggyMarley #StephenMarley #SharonMarley #CedellaMarley #BobMarley #RitaMarley #ConsciousParty #1988 #TomorrowPeople #Caribbean

OLDIES SUNDAY: @ZiggyMarley And The Melody Makers – “Tomorrow People” (1988)


May is recognized as “Child’s Month“, and we’ll be featuring content where the youth were stars. Today’s Oldies Sunday selection comes from the Marley siblings Sharon, Cedella, Ziggy, and Stephen a.k.a. Ziggy Marley And The Melody Makers with the track, “Tomorrow People“.

Produced by Chris Frantz and Tina Weymouth, this was released through Virgin Records in 1988. On the track, Ziggy Marley And The Melody Makers provide some consciousness on this track. With lyrics like “Tomorrow people, where is your past? Tomorrow people, how long will you last?” over great production and energetic vocals, this was a song that made people think, and be entertained. “Tomorrow People” was featured on the group’s 3rd album, the 1989 GRAMMY winning Platinum selling “Conscious Party“. “Tomorrow People” has also been dubbed the “85th Greatest One-Hit Wonder of the 80s” by VH1.

Since the release of “Tomorrow People”, Ziggy Marley And The Melody Makers went on to release a few more albums, scoring 2 more GRAMMY awards, and flying the Marley flag as a group before disbanding in the early 2000s.

thank you Ziggy Marley And The Melody Makers!

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Macka B - We've Had Enough for 13thStreetPromotions.com #MackaB #Reggae #Music #UK

OLDIES SUNDAY: @MackaB – False Preacher (1988)


With Jamaica slowly being turned into a 20 season Mystery series shown on Netflix with the news of Kevin Smith and his cult, it’s only right that Oldies Sunday digs in the crates for a selection. This week, we stop in England to check out Reggae legend Macka B’sFalse Preacher“.

Produced by Mad Professor and released through Ariwa Sounds in 1988, Macka B plays the role of “Pastor Theodore Love Money” who makes a list of demands that his Church congregation should fulfill because “That’s what the Lord says!“. If the Pastor needs to wear new suits, let the Church goers provide for it. He needs a BMW? Let them pay for it! The single was featured on Macka B’s 1988 album, “We’ve Had Enough!“, which features plenty of commentary from the man himself. With the story of fake Preachers and Pastors being a very common one for many, Macka B has been calling those hustlers out for many years. Some have lead cults, some have made millions and are living better than their members, and some have claimed to have had the direct line to God. Many Church goers have been lied to, tricked, bamboozled, and lead astray, and many fake Pastors and false Prophets will have to answer for their crimes one day.

Since “False Preacher”, Macka B has released numerous albums, and has been a Youtube/Social Media favourite thanks to pairing a healthy lifestyle with his lyrical prowess. He has even been name dropped by popular Media Personality Desus Nice on his “Bodega Boys Podcast.

Thank You Macka B!

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OLDIES SUNDAY: Home T, Cocoa Tea, Shabba Ranks – Pirates’ Anthem (1988)


This one is dedicated to those who strive to get the music out there by any means, legally or illegally. Today’s Oldies Sunday selection comes from Home T, Cocoa Tea, and Shabba Ranks titled, “Pirates’ Anthem“.

Produced by Augustus “Gussie” Clarke, “Pirates’ Anthem” was released through Music Works Records and Anchor Records in 1988. On the track, Home T, Cocoa Tea, and Shabba Ranks team up for a dedication to all those who build pirated Radio Stations to play the songs that need to be played. While Radio Stations around the world have a set list of songs for airplay, Pirated stations bypass that by having the freedom to play any song in all its glory without worry about editing, and certain regulations. The only problems Pirate Radio may face are getting shut down, and possible incrimination. Regardless, they all return to play what the people want to hear. Pirate Radio has gained massive popularity through the decades, and new ones are being made often. Home T, Cocoa Tea, and Shabba Ranks display great chemistry on the track, and “Pirates’ Anthem” became a hit for them. The single was featured on the 1989 album, “Holding On“, which was released through Greensleeves Records. “Pirates’ Anthem” was given the sample treatment a few times, and some include Hannibal Lecter’sJust Because We Play“, 2Pac’sViolent“, and Shenseea’sRun Run” which was produced by Stephen “Di Genius” McGregor.

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OLDIES SUNDAY (Christmas): Orchestre Tropicana D’Haiti – 24 Decembre (1988)


It’s that time of year again! Despite Covid 19 taking over everything including the holidays, some of us are still showing a lil Christmas spirit. We’ve always made space for some Christmas songs on the blog, and this year’s no different. On Oldies Sunday Christmas Edition, we head on over to Haiti to kick things off with the Orchestre Tropicana D’Haiti with the track, “24 Decembre“!

Released in 1988 through Louis Records, Orchestre Tropicana D’Haiti brought together beautiful instrumentation and vocals that celebrated the Christmas season and promoted unity and family throughout. “24 Decembre” or “December 24” is recognized as Christmas Eve, and Caribbean folks celebrate it through parties and a “Grand Market” where shoppers get their last minute gifts, or take in various events throughout. Though performed in Haitian Creole style of Compas, the music can still be felt by anyone who is around who hears it. “24 Decembre” is featured on the band’s 1988 album, “25ème Printemps (25th Spring)“. With over 40 years in, Orchestre Tropicana D’Haiti is still performing and entertaining many with their selections.

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