Black Kat Sound, Tony Matterhorn, Killamanjaro, King Jammys, Wha Dat Sound, Stone Love, Mighty Crown, Fire Links, Bass Odyssey, what do they have in common? They are some of the Selectors (DJs) and Sound Systems that have greatly contributed to the Sound Clash Culture in Jamaica over many decades. The Sound Clash Culture was also one of the influences for the Hip Hop Culture. Today, Genius released a short video highlighting the history of the Sound Clash Culture ahead of the Red Bull Culture Clash in Atlanta, Georgia next weekend. Learn something below!
If you’re a fan of Dancehall Music, then you’re familiar with the art of Clashing. Seen as a way to bring out the best or worst lyrically in an Artist, we get to witness this event when tensions rise and the #1 spot in Dancehall is at a free for all stage. Over the years, the clashing season usually starts around late Summer/early Autumn where Artists call out each other in hopes of them sharing the stage and facing off at “The Greatest One Night Show On Earth” a.k.a. Sting, the yearly Dancehall event held on Boxing Day in Jamaica. Some of the greatest clashes included Ninja Man vs Shabba Ranks, Beenie Man vs Bounty Killa, and Vybz Kartel vs Mavado. While many never make it to Sting, they still manage to help put an upcoming or established Artist on the radar, or give an Artist their walking papers. In recent years, clashing has been on a decline. With the recent announcement of a no show for Sting 2016, the question I ask is, “Will Clashing Still Be A Thing In 2017?”.
As the heat of the “Clash Season” rises, it seems that tempers are flaring at the True Gift Entertainment (TGE) Recording Studio as Dancehall Artist Raytid releases a diss track aimed at Dancehall Artist, Versi.
The song, which is titled Burial Ground, is an answer to a track done by Versi which took shots at Recording Artist Demarco and his ‘Bun Up Gang’ (TGE), the camp to which Raytid is signed. This new ‘beef’ came about since Demarco recorded the controversial track We Run the World, to the disapproval of Versi as he replied on a Riddim produced by Jay Crazie, former Studio Engineer at TGE.
In Dead Already, Versi threw jabs at the “Bun Up Gang” boss for referring to him as ‘dead’ on TGE’s controversial web series, “Talk Yuh Mind” and counteracts Demarco’s We Run the World. While the drama brewing may seen frivolous in some circles, Raytid’s Burial Ground, which was produced by Social Yaad Records, fires lyrical shots at Versi, calling him a ‘dirty child’ and a Groupie. The song came as a surprise to many as Raytid has always been making party singles, and no “Clash Ready” tunes. Fans of the two await further developments as tensions rise.
With yesterday’s staging of Sting 2015 receiving not so stellar reviews from some attendees, I thought for the final “Oldies Sunday” of 2015 I’d feature one of the earlier shows. In Sting 1991, there were performances from the likes of Frankie Paul (who wasn’t able to attend last night’s event due to ailments), Tony Rebel, Shine Head, Culture, Freddie McGregor, and of course a clash between Ninja Man and SuperCat. If you’re one of the disappointed members, maybe this earlier staging can brush away some bad vibes. Check it out below and share your thoughts in the comments section.
Tonight, two Dancehall giants in Gully Bop and Ninja Man have graced the Onstage set. Will there be a much needed clash from these two, or a collaboration? Here Gully Bop spoke on his career 1 year after his discovery and rise to stardom, ignoring doubters, still being a hot commodity in the Dancehall circles, “Killing dem wid style“, thoughts on Sting 2015 and more. Ninja Man however spoke on his recent hospitalization, his thoughts on Sting 2015, working on a new project with veteran Artists, spreading his wings as an Entrepreneur, and Gully Bop. Together on stage they’ve promoted unity and had a conversation and cracked a few jokes with Winford Williams. Watch the Interview below to see more and share your thoughts in the comments section.
Wielding the microphone like a battle axe today is the young don, Wayne J. Titled “Any Day Now (Ben 10)” and produced by Dennis “Greatest” Hamilton, Wayne throws jabs at any and every artist, says artists should drop the gun lyrics and come with more creative lyrics, and puts himself on a pedestal to be the next great Dancehall artist. Big lyrics from the young general, it would be very interesting to hear him clash some of these established artists. What do you think? Check out the track below and share your thoughts in the comments section.